СодержаниеIntroduction 3
Chapter I. The Literature Of Graham Greene as an Object of Studying 5
1.1. Some Common Remarks About Graham Greene's Life And Work 5
1.2 "Brighton Rock" of Graham Greene: a detective story in Catholic context 7
Chapter II. Stylistic Analysis of Emotionality in Greene's Catholic Cycle Novel "Brighton Rock" 23
2.1. Syntactic Stylistic Features of Sentences in "Brighton Rock" 23
2.2. Stylistically used Lexica in Emotionally Marked Phrases 26
Conclusion 29
Bibliography 30ВведениеThe study of human emotions needs input from the study of languages, now more than ever before. Advances in the science of brain physiology are identifying in ever greater detail the specific wave patterns and locations of brain activity that correspond to different affective or emotional states.
Emotions are among the least tangible aspects of human experience, yet they exert powerful influences upon our thoughts and actions, and even upon our physical appearance and physiological processes occurring within our bodies. Examining the outward manifestations of facial expression and measurable physiological responses is one approach lo studying these inner states and events. But an emotional feeling is so internal to the experience of the person who has it, that it has rightly been questioned whether it is even reasonable to think that there is necessarily, or demonstrably, very much in common between one person's experience of, for example, anger in a particular situation, and a different person's experience of anger in the same or some other situation [Harkins, Wierzbicka 2001: 1-2].
"The key problem with these claims is the continuing lack of clarity as to what counted as emotion words in particular studies, how they were elicited or selected, and whether some numbers represent working emotion vocabularies of particular speakers and others emotion lexicons culled from a dictionary. These issues still plague the emotion lexicon research and scholars continue to differ in ways The syntax of emotionally marked sentences in Graham Greene's "BrightonЛитература1. Aydelotte, William O. "The Detective Story as a Historical Source." The Yale Review 39 (1949): pp. 76-95.
2. Bernard Bergonzi. A Study In Greene: Graham Greene And The Art Of The Novel. Oxford University Press. 2006. - 197p.
3. BRIAN DIEMERT. Ida Arnold and the detective story: Reading Brighton Rock. Twentieth Century Literature; Winter 1992; 38, 4; Academic Research Library pg. 386.
4. Brighton Rock. Greene, Graham (1938). Harmondsworth: Penguin, 1988.
5. Chesterton, G.K. "A Defence of Detective Stories." The Defendant. London: Dent, 1991. 157-62.
6. De Vitis, A.A. Graham Greene. Rev. ed. Boston: Twayne, 1986.
7. Denning, Michael. Cover Stories: Narrative and Ideology in the British Spy Thriller.London: Routledge, 1987.
8. Graham Greene's Child World by Goldenberg, Dolly (Rose), M.A., University Of Windsor (Canada), 1958, 124 p.
9. Ian Ousby. Cambridge Guide to Literature in English 1993.
10. Jean Harkins, Anna Wierzbicka. Emotions in crosslinguistic perspective Walter de Gruyter, 2001. - 421 pp.
11. Kunkel, Francis L. The Labyrinthine Ways of Graham Greene. 1960.
12. Pavlenko Aneta. Emotion and emotion-laden words in the bilingual lexicon. Bilingualism: Language and Cognition (2008), 11: pp. 147-164 Cambridge University Press
13. Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca: Cornell UP, 1981. pp. 169-87.
14. Rosemary Goring. Larousse Dictionary of Writers. 1994
15. Sherry, Norman. The Life of Graham Greene 1904-1939. Vol. 1. Toronto: Lester and Orpen Denys, 1989.
16. Stratford, Philip. "Graham Greene: Master of Melodrama." Tamarack Review 19, (1961): pp. 67-86.
17. Todorov, Tzvetan. "The Typology of Detective Fiction." The Poetics of Prose.1971.
18. Ways of Escape. 1980. Harmondsworth: Penguin, 1981.
19. Качалова К. Н., Израилевич Е. Е. Практическая грамматика английского языка. : В 2-х т. Т2, К.: Методика, 2003 г. - 304 с.
|
